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Timelessness
Svoboda, Jonáš ; Turek, Filip (referee) ; Cenek, Filip (advisor)
Calm film tries to be a kind of portrait of a young free life in the city. Freedom, upachtěnosti. It's a portrait of notes from phone, lemonade flavored with emptiness. Humbly evaporate. Passionate amateurism, because the toilet are not alone, there is with thee Wittgenstein. The fact that we saw a squirrel as a mouse eats. The fact that when we go to town, so we are pretty huge. The fact that it all actually means something. "Vynuděnej klidňák" Lord hate emotions and Jagr afloat bet. The fact that I have one whole night inhaled Pizza Hawaii, which became Pizza Pearl Harbour because I fell asleep. The fact that it is good then the rest of charcoal dance. About how he met at kávomatu dudes, gunk and artificial intelligence to agreed that hate and love must prevail over truth and falsehood. Instead, after a quill on the bottom of the crucible DNA they found God. Then came the doorman and said that the school is non-smoking. And then there is the moment when we lack love, peace, and we have a long time we were visiting. The fact that we were in rehab and has since everyone involved. The fact that Tomas přidělal the old wheel chair and wrote on it "ZEUS". Contemplation of revolting tag Elektro Planeo on the wall. Because staring contest with the camera is a job like any other. The fact that my vegetables says I'm outside because he hates anyone who is interesting. A tag is an interesting question - "is not a vegetable shit?" Humor in the joy of grief. Because I have sympathy with the man who has read this. Something is simply in a poem trapped and can not get out. The method of the Hitler-Stalin-Picasso, the smell and pain, emptiness and dullness, sabotage and nervousness, contactless man, colorful variety of residues of superpowers in said "yes" and the superhero resistant to alcohol. Nuclear metaphysics in a world where the Lord God far and high. In the role of a collector's Bizarre man playing Lord dimes with the task to deliver power to the last ten-kávomatu fate. The Old Man and the wine, which put on a fag and he will tell you that genius is hiding at the bottom, vigilance and misunderstanding diletující memory and increasingly sadder smile. Nasty weather and the feeling that "next door is fucking nations" - (Paul Ondračka - The celebration of music and poetry). Method free stream of consciousness portrayed as a method of glaciers. The fact that the last time I lost my laptop when I tried if underwater works wifi. Dementia and escape from evil - as far as possible. Trying to focus, at least for a while. Since I was working basically a documentary (- the film's treatment of captured video archives), the choice of media video-essays, hence the film entirely clear. The illustrated try to look out of their personal, participant of view, but also with a "judgmental - documentary apart." I inspiration for creating Calm sought mainly in the work of Werner Herzog, Karel Vachek and their relation to the relativity of truth and nature. Compared with its previous results, which were more experimental in nature evaluate his work as a targeted and focused. The aim of the work is a portrait of the place, time and people. He has absolutely no practical benefit, except perhaps enrich the viewer's soul and portrait modes.
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The ceiling painting of Juda Tadeas Supper in the cemetery church Finding of the Holy Cross in Moravská Třebová
Šelemba, Michal ; Oulíková, Petra (advisor) ; Pučalík, Marek (referee)
The main purpose of the diploma thesis is the ceiling painting of Juda Tadeaus Supper in the cemetery church of the Finding the Holy Cross on the Cross's Hill in Moravská Třebová. The main part of the diploma work is about theologically well considered iconografical conception of the paintings. In the same line, the diploma work will talk about each topic accompanying by Latin inscriptions of Bible, liturgical texts and extracts of the Church Fathers, and also there will be older non-precise or faulse opinions related to the iconography of the painting. Furhter, the diploma work will be talking deeper about the link between the liturgical fiction and painting iconography showing the Legend of the Holy Cross and the themes concerning the last human things and the saving objects for the souls in the purgatory together with Eucharist and Five wounds of Christ supported by post-trident theology. The aim of the diploma work is to show the interesting iconography programme of the regional artistic work, whose thorough realisation is to be compared with the nowdays most interesting realisations of the mural paintings occupy takes up of the unique place.
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The naked figures in Hieronymus Bosch's artworks and their forms
Hotovcová, Tereza ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
This bachelor's thesis "The naked figures in Hieronymus Bosch's artwork and their forms" deals with the way, how Hieronymus Bosch displayed naked figures in his artwork and futhermore is focused on possible inspiration sources. The most famous research studies, which are mentioned by Dino Buzzati in his book from 1992, are taken into account as well. Bigger sized pieces of art were chosen for the description, for an example The Garden of Earthly Delights, The Haywain Triptych and Vision of the Hereafter. The thesis contains not only period records about the author, but also the description of the medieval society and its attitude towards naked figures. Last but not least, historical circumstances having affected the Artist's creation are also mentioned. In the end the most famous followers of Hieronymus Bosch are named, who were inspirated and affected by his artwork. Keywords Bosch, hell, paradise, garden, naked figures, sin,
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Dispute over Catholic and Protestant notions of purgatory in the 16 century
Roček, Martin ; Suchánek, Drahomír (advisor) ; Drška, Václav (referee)
(in English): Presented work explores dispute over Catholic and Protestant notions of purgatory in the beginning of 16th century. The aim of this work is to analyse differences in perspective on Scripture and reasons which led Protestant theologians to rejection of the doctrine of purgatory. Due to limited space of the work, several key documents were chosen to portray how protestants theologians challenged existence of purgatory. The first part of the text summarizes the development of the idea of purgatory and gives an overview of the perception of purgatory in the 16th century in order to provide basis for better understanding of the topic. The following part introduces different views present in protestant movement in Germany and among Swiss reformed theologians. The last part of this text describes the development of council of Trent where controversial questions raised by protestant theologians were addressed so as to redefine the doctrine of purgatory for the following centuries. Klíčová slova (anglicky): Christianity, protestantism, purgatory, eschatology, reformation, heaven, hell
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Picture of the last judgment in Renaissance Bohemia
Hejná, Tereza Rozálie ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
In my bachelor thesis I deal with portrayal of the Last Judgement in the Czech Republic in 15th -16th century. The first part was conceived as an introduction to Last Judgment - the Last judgment as a socio-cultural phenomenon; causes and history showing the last judgment; iconological-iconographic description of the subject. In the second part I'm devoted to the main topic, portrayal of the last judgment in Bohemia in the 15th-16th century. I'm trying to a compendium of all the works of art in our country, and they are especially frescoes. I also deal with the causes of their emergence, seeking their sources of inspiration and subjugation the iconographic-iconographic analysis. Then compare the individual works, not only among themselves but also with older parts that originated outside our area.
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Timelessness
Svoboda, Jonáš ; Turek, Filip (referee) ; Cenek, Filip (advisor)
Calm film tries to be a kind of portrait of a young free life in the city. Freedom, upachtěnosti. It's a portrait of notes from phone, lemonade flavored with emptiness. Humbly evaporate. Passionate amateurism, because the toilet are not alone, there is with thee Wittgenstein. The fact that we saw a squirrel as a mouse eats. The fact that when we go to town, so we are pretty huge. The fact that it all actually means something. "Vynuděnej klidňák" Lord hate emotions and Jagr afloat bet. The fact that I have one whole night inhaled Pizza Hawaii, which became Pizza Pearl Harbour because I fell asleep. The fact that it is good then the rest of charcoal dance. About how he met at kávomatu dudes, gunk and artificial intelligence to agreed that hate and love must prevail over truth and falsehood. Instead, after a quill on the bottom of the crucible DNA they found God. Then came the doorman and said that the school is non-smoking. And then there is the moment when we lack love, peace, and we have a long time we were visiting. The fact that we were in rehab and has since everyone involved. The fact that Tomas přidělal the old wheel chair and wrote on it "ZEUS". Contemplation of revolting tag Elektro Planeo on the wall. Because staring contest with the camera is a job like any other. The fact that my vegetables says I'm outside because he hates anyone who is interesting. A tag is an interesting question - "is not a vegetable shit?" Humor in the joy of grief. Because I have sympathy with the man who has read this. Something is simply in a poem trapped and can not get out. The method of the Hitler-Stalin-Picasso, the smell and pain, emptiness and dullness, sabotage and nervousness, contactless man, colorful variety of residues of superpowers in said "yes" and the superhero resistant to alcohol. Nuclear metaphysics in a world where the Lord God far and high. In the role of a collector's Bizarre man playing Lord dimes with the task to deliver power to the last ten-kávomatu fate. The Old Man and the wine, which put on a fag and he will tell you that genius is hiding at the bottom, vigilance and misunderstanding diletující memory and increasingly sadder smile. Nasty weather and the feeling that "next door is fucking nations" - (Paul Ondračka - The celebration of music and poetry). Method free stream of consciousness portrayed as a method of glaciers. The fact that the last time I lost my laptop when I tried if underwater works wifi. Dementia and escape from evil - as far as possible. Trying to focus, at least for a while. Since I was working basically a documentary (- the film's treatment of captured video archives), the choice of media video-essays, hence the film entirely clear. The illustrated try to look out of their personal, participant of view, but also with a "judgmental - documentary apart." I inspiration for creating Calm sought mainly in the work of Werner Herzog, Karel Vachek and their relation to the relativity of truth and nature. Compared with its previous results, which were more experimental in nature evaluate his work as a targeted and focused. The aim of the work is a portrait of the place, time and people. He has absolutely no practical benefit, except perhaps enrich the viewer's soul and portrait modes.
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Poetika deaf and dieing in traditional and presently Czech culture
SRPKOVÁ, Zdeňka
Death is regarded as the end of the life cycle of any living being, including humans. Death has still been made a taboo topic of a regular conversation. Understanding the finiteness of death in this context is differently perceived in different cultures and in different periods of society development. Czech culture as a part of the Central European civilization area has its specifics in understanding the death issue, which is reflected in all varieties of artistic creations. Therefore, the objective of this thesis was to determine the attitude of a selected population sample to the death issue from the ethical point of view, and if the artistic expression of death influences this point of view. Another goal of this thesis is to find out if people think about death, which causes their thoughts depressive, or if they consider death an integral part of life concerning all of us. The thesis consists of two parts {--} theoretical and practical. In the practical part, the method of quantitative research, the interrogation method using the questionnaire technique was applied. The data obtained from the questionnaires were evaluated and made into graphs. The results show that the hypothesis 1: ``I do not think of death, when death comes, it will be present. I would feel depressed thinking of anything like that{\crqq} was not confirmed. On the contrary, the hypothesis 2: ``Death is a matter of logic, accompanying life, and I have been trying to cope with this fact both in the case of my loved ones and my case{\crqq} was confirmed. After the analysis of the obtained data, the hypothesis 3: ``I have encountered a death expression in a work of art and I felt deeply touched{\crqq} was only partially confirmed. The respondents claimed that they had encountered such a work of art but left untouched, because they considered the expression of death only a part of the work, which also confirms the hypothesis 4: ``I consider an artistic expression of death as a part of the work, a mere intent of a writer or and artist, I am not concerned at all. The thesis could be used as an instrument to inform the general public and professionals on the impact of artistic creation on the view of a certain population sample on the death and dying issue.
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